Friday, February 6, 2009
adequate gyros in st. thomas, cafe au lait in dominica
I’ve heard good things about bits of the itinerary, but I think this contract will be a good one to just save up money, since Europe will likely take a decent cut of my bank account (stupid euro….). In a coffee shop in Dominica right now…I think I’ll call this place home every time we stop by here.
Yesterday at the sail away from St. Thomas the band met an individual named Bob. Bob was singing. Bob was dancing. Bob was (naturally) drunk. At one point this loud yet kind-hearted individual got at the microphone and talked about his wife—how she was the best thing that’s ever happened to him, how she’s given so much and never asked the same in return…very sweet of him. After our singer wrestled the mic away from Bob (who was in the middle of a sudden, inspired dirty joke), we played “Lady in Red,” and Bob got down on his knee and asked his wife to slow dance. Cheesy, perhaps (his wife is a redhead), but sweet nonetheless, but at the end of the tune Mrs. Bob threw him in the pool. I come to find out later that, as a gesture of thanks, Bob bought the band a case of beer.
So…I’m happy here.
Sunday, February 1, 2009
assorted, vol. 1
To be fair I’m not packing (packing, not cramming, I can confidently say) so much out of impulse; it’s out of necessity. Those two bags that laid out in front of me like bloated, cumbersome corpses on the ground were not filled with things I wanted, but rather things I needed for this job. Black dress shirts (my new favorite formal commodity), a new suit (a rather dashing European cut, if I do say so myself), khaki docker pants (not preferable), Hawaiian floral print shirts (hate them) and polo shirts (hate them more) are some of the required attire for this gig, for better or for worse, and I accept the fact that, in a sense, I’m a sellout for dressing so decidedly preppy because the Man tells me I need to. I say “sellout” because the me of yesterday would shout that same hurtful word at the me of today for choosing this life, to which I would promptly should out “I’m going to the Caribbean and playing guitar for money,” to which the me of yesterday would shout back “really? Never mind…”
Still, symbolically, it’s a bit of an odd transition. I attached to playing the guitar through Green Day and Pennywise, bands who embraced the general counterculture sentiment, and now my first quasi-legitimate job involves my beloved six-stringed weapon of choice, but I look less like me and more like an alternate Sears catalog version of me. Odd, indeed, but in retrospect I have no reason to complain about this stage in my life, nor do I want to. I’m satisfying my restless desire to get out and away from what I know all too well, and I’m playing guitar alongside great musicians doing it—all is well with life, y’know? If I could just wear flip-flops, jeans and a shirt of my choosing, I’d never stop smiling.
2) Michael Cera is awesome. True, Arrested Development was better than Juno, which was still good and better than Nick and Nora’s Infinite Playlist (which I never saw but one could assume), so in theory fame’s a bitch, but I don’t care. Even if I discredit his actually ability as an actor (which I can’t), I wholeheartedly stand for and respect the goofy, awkward character he’ll perpetually be, even if in his next movie he’s pumping stereotypical bad guys full of bullets and knives while nailing Jessica Alba and Jean Malone (all at the same time). It didn’t hit me until just recently, but no matter what he does with his acting career, he’ll always (at this age, anyway) represent the shy, dorky, timid masses of middle school and high school kids everywhere. For that, the Andy Juriks aged 13-18 across the nation thank you, good sir.
3) Mickey Rourke deserves an Oscar for The Wrestler. To side with the hype, Heath Ledger deserves an Oscar for The Dark Knight. Everyone involved with Slumdog Millionaire nominated for any Oscar in an capacity deserves it as well, especially Danny Boyle. Actually, Boyle deserves one on principle alone. WALL-E, the character, not the movie, should be constructed as an actual robot and appointed a position in Obama’s cabinet. Jake Shimabukuro should be awarded a Grammy, as well as an apology for having not been given one before.
4) Greatest Hits albums should be treated less like retrospectives and more like mixtapes.
Read: Shakespeare Wrote for Money by Nick Hornby
Listen: Orphans by Tom Waits
Monday, January 19, 2009
Can't buy you happiness, but can buy you cool new toys.
There was something about the whole experience that made it a slightly comforting one, namely the fact that this is for my job. I get to play guitar and, therefore, necessitate awesome guitar gadgets of various functions, colors, and ambiguous names. The guitar geek I keep inside got to play around a bit today, to fawn and drool at all the expensive gear and pretend for a moment that price tags were an elaborate joke designed by "the man" to keep these beautiful works of art out of most hands. So, that was cool.
The other thing that stood out to me was how the clerk and I were talking to each other, namely the appropriate jargon that was tossed around the entire time: "I need a Line6 Pod...Dean Markly Blue Steels, 11's...I play a PRS, but the Ibanez will work...klaatu barada nikto..." and so forth.
I think I'm slowly becoming the person I wanted to be when I was 13.
Cheers.
Thursday, January 8, 2009
and....we're back.
I started my first blog because I was about to spend a semester in
Which is why I wanted to keep this blog going. It’s not about a fake semester—I’ve come to accept that Milan was an isolated incident of irresponsibility and debauchery (unless you’re my mom, in which case it was a good, wholesome time). This is about what’s “next” for me, the illusive, terrifying concept of the future and taking that next inevitable step towards adulthood (apparently highly overrated, from what I gather). True, much of this was fueled by playing guitar on a cruise ship, a post-college occupation I feel I can rightfully deem far more kick ass than most other post-college scenarios. Considering all the guff I got from everyone about being a guitar performance major, I actually take pride in how cool this job is. Law school or
Monday, November 24, 2008
dear brian, i still listen to .moneen.
So, what better way to mix things up then to leave(DAMN IT!)? In about a week I'm officially gone, flying back to Rochester for a two month, snow-capped pause before jumping on the Nordam for about two months, possibly longer. I'm happy to go home, and have a notion of work again, but I'm still a bit offset at leaving.
Conclusion? I need to kick my ass and write more.
Be back.
Friday, October 24, 2008
Late, I suppose...
Living on a ship is sort of like living in Never-Never Land, except you wear a uniform and, itinerary permitting, you can get a tan. It strikes me as sort of ironic that, all throughout college, we’re being prepared for the real world, for responsibilities outside of dorm and scheduled classes, cafeteria lines and late night food, and, here I find myself, living in a tiny cabin, playing the same set times every week, eating in a buffet line restaurant every day with the possibility of room service at 2 in the morning.
But, hey, there’s a paycheck.
Not bad for a classical guitar major, no?
(Written October 16th)
Today the Ryndam became the first cruise ship to arrive at Guaymas, Mexico; in celebration, camera crews flooded the ship, the captain paraded well-attired “guests” around, and the locals gathered around the security check points to see the new arrivals and festivities to mark the occasion. It was undeniably surreal to suddenly have this odd significance(?) placed on our arrival. Passengers were given “Arriba Guaymas!” and the shore excursions left to applauding audiences.
If none of that sounds very interesting, maybe it’s because I’ve become a bit desensitized to the places we’ve hit so far. Tourist attractions are everywhere, signs are written in English with few bastardized Spanish phrases to hint at authenticity...it just never struck me as very real until Guaymas. Guaymas is real, and not afraid to show it. There’s dirt, cracked pavement, nearly no visible English, no souvenir shops or tourist-friendly locales. Other than an excursion kiosk right off the ship there’s really not much to see or do other than walk into the town itself and see something completely untouched (so far) and genuine.
Honestly, I dug it. No water taxi haggling, no one selling straw hats or sunglasses, just an actual, real, legitimate town. I got off the ship, walked around, and eventually ended up in a run down local bar with a few guys from the ship. We drank a few Pacificos, watched some kids play soccer, scoped out a lawn sale, then got back on the ship. Low key day, relatively uneventful, but nice. Calm. A completely welcome respite from seeing a damn Senior Frogs at every port (Senior Frogs=Mexico’s version of Hooters).
If you know me, you know I’m white. Very white. Unmistakably white. Therefore, I had “gringo” clearly stamped on my forehead. Still...I didn’t get any dirty looks. People smiled back at me, said “hola” or, if they spoke English, asked if I was from the ship. Everyone, literally everyone, at least acknowledged my presence in some friendly way. And, still, when I got back on the ship I heard passengers complaining about Guaymas, how there was nothing to do if you didn’t go on some shore excursion or find your way to the beach. I can’t lie, this pissed me off a little bit. Fine, there might not be attractions or big downtown areas, but at the very least you could just look around and enjoy the surroundings. Enjoy the fact that this part of Mexico is still Mexico, gritty, perhaps, but real, not modified for tourism. Maybe I’m being a bit of a punk writing that, but the thought struck me that day.
(Written October 17th)
Let me reiterate: I love my job.
Sunday, October 12, 2008
Blues Cruise: good for the soul, bad for the liver.
This past week was the Legendary Rhythm and Blues Cruise, a charter cruise that brought on a long list of blues acts with head liners like Etta James, Los Lobos and Koko Taylor. Music started everyday by at least 5:30 and kept going, one way or another, until 5 or so in the morning. Almost every place set up for the bands was packed with amplifiers and speakers, sometimes with the soundboard set up dangerously close to the bar.
In short, I don’t really work this week, but I get paid anyway. Which is nice.
The first few days were just killer. Koko Taylor and her band tore everything up, and the Los Lobos show was one of the loudest things I’ve ever heard (according to one of the stage managers our speakers are now, officially, shot). However, after almost an entire week of hearing blues music, I long to hear a ii chord. The energy is still there, but I’m getting a bit run over by how things are starting to run together. There’s been a ton of great shows I’ve seen so far, but I was really tripped up by seeing Etta James. It was just....odd. She really played up the sexuality to her act to the point where it just wasn’t appealing. It’s been, like it is with a lot of festivals, more enjoyable to listen to the smaller-name groups get up there and tear it up. One of the best acts I saw this week was a singer-guitarist named David Jacobs-Strain who sang this deep-down Delta-style blues while looking like an accountant. I don’t know why, but there’s something about a dorky-looking white guy playing guitar that I can relate to.
Still, it’s the passengers who make this cruise totally worth sticking around. The vibe everywhere is awesome; everyone is here for the same reason, and damn if they don’t know how to party. I heard from the beverage manager that their plan was to sell $85,000 worth of liquor on this cruise, and after the first night alone they sold $45,000. Certain hallways completely reek of suntan lotion and weed. The cabin stewards are either thrilled because they’re being tipped very well, or horrified because they’re cleaning up things they just don’t understand.
This week has been unreal.
But I can deal.